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dan eltringham

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Category: Travel

September 26, 2019October 9, 2019 daneltro

Zapatismo Now & Then (México DF & San Franciso)

September 11, 2019September 23, 2019 daneltro

Route 57 Issue 15 (2019). Environs: Modern Natures

January 28, 2019February 27, 2019 daneltro

Mexican Democracy

January 22, 2016January 28, 2019 daneltro

Street Scripture: Madrid, London, Barcelona, Sheffield, Granada

November 25, 2015January 28, 2019 daneltro

Sketches from here & then

January 6, 2015January 28, 2019 daneltro

A memory of a day in NY, found in an old notebook

April 17, 2012April 20, 2014 daneltro

Sketches Andaluz

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  • Centre for Poetry & Poetics: Autumn 2019 action! All free, all welcome October 7, 2019
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  • Alonso Quesada translations from Scattered Ways in Poetry Wales & Wretched Strangers October 2, 2019
    Some extracts from my ongoing translation project, the Canarian poet Alonso Quesada’s modernist long poem Scattered Ways [Los Caminos Dispersos, written in the early 1920s but not published until 1944], have been published in the latest Poetry Wales, along with a translator’s note that serves as an intro to Quesada & his work. Read them here: Quesada […] […]
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  • Zapatismo Now & Then (México DF & San Franciso) September 26, 2019
    Next week I am starting a new research project: a British Academy Postdoctoral Fellowship, tracing translations of Latin American guerrilla ‘mountain literature’ by Anglo-American poetry networks, from 1960 to the present, & thinking about this poetry in terms of ecopoetics and radical Latinx environmentalisms. These images are to get the blog started. T […]
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  • Laura Carlsen, ‘Mexico’s transformation in the shadow of Trump’s America’: talk at Sheffield, Fri 4th Oct, 5.30pm, all welcome! September 19, 2019
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  • For David Walker Barker September 12, 2019
    Last month, friend, artist & collaborator David Walker Barker passed away. We had met through ASLE in 2016, and worked intensively on a place-based collaboration for the next 18 months, exhibited at Judy Tucker’s In the Open in Sheffield 2017. David was endlessly generous to me & no doubt to many others, always happy to […]
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  • Route 57 Issue 15 (2019). Environs: Modern Natures September 11, 2019
    Welcome to the fifteenth anniversary edition of Route 57, the University of Sheffield’s creative writing journal. This issue contains innovative poetry, fiction, drama and non-fiction from Sheffield’s finest writers. Issue 15 of Route 57 takes inspiration from the exhibition at The Hepworth Wakefield, ‘Modern Nature’, to explore the relationships between urb […]
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  • Poetics in Commons evening readings & performances May 16, 2019
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  • Poetics in Commons: Symposium & Performances May 15, 2019
    Poetics in Commons: Symposium & Readings (University of Sheffield 22-23 May 2019, Centre for Poetry & Poetics and Hallam Guild). Organised by Sarah Bernstein & Dan Eltringham. The conference explores the potential of literature and art to create and reinvent shared spaces, ways of living and forms of social and ecological cooperation through crit […]
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  • Book chapter, ‘Commoning nostalgia: making “Romantic sensibility sustainable” in contemporary poetry’, in Futures Worth Preserving: Cultural Constructions of Nostalgia and Sustainability April 1, 2019
    On, in order of appearance: Peter Larkin & R. F. Langley; Anne-Lise Francois; J. H. Prynne, Peter Riley & The English Intelligencer; Sean Bonney & Stephen Collis; and Lisa Robertson. Let me know if you’d like a PDF. Futures Worth Preserving: Cultural Constructions of Nostalgia and Sustainability, ed. by Andressa Schröder, Nico Völker, and Robert […]
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  • ‘Growing food on the green world: J. H. Prynne’s agro-chemical pastoral in the Vale of Tintern’, article in Green Letters: Studies in Ecocriticism (Autumn 2018) March 13, 2019
    Abstract: (to download one of 50 free e-prints go here). This article reads the poetry of J. H. Prynne of the early- to mid-1970s through an ecocritical lens, arguing that this work responds to the language of a nascent environmentalism framed by the concerns of political ecology. It does so by drawing on Prynne’s archival […]
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